2010/03/08

Spatio-temporal urbanism

So we're trying to represent certain urban conditions as a spatio-temporal entity. That is a multiplicity of processes that occur over a period of time in a set space. These images (from OSU urban geography dept) are probably the best representation of that.

Link: Space-time paths

2010/03/07

Immigrants/Locals Tension as a manifestation of tension in appropriation of Space

2 Case Studies

A research group called ‘fuzzy places’ comprising of anthropologists and cognitive psychologist established in University of Verona are now studying how the appropriation and perception of space can result in tension by different groups. They took an approach which sees space composed of both socially constructed perceptions and well as physical reality. The anthropologists looked primarily on the use of physical space by individual space (itineraries, crossing, visiting, waiting, avoidance behavior) by individuals and social categories; the ‘habitus (learned practices of the physical and cultural environment) of the social actors; and collective and individual representation of space. The psychologists were interested in application of empirical findings on perceptual organization of margins in outside space: streets, squares, pavements and building. Together, they hypothesized that some margins and spaces are perceptually ‘fuzzy’ (ambiguous) where contradictory and overlapping representation and uses of space can occur by different people and others were ‘crisp’. They also speculate on the importance of the ‘fuzzy space’ between space of domestic and the public, between work and social life, and between inside and outside.

Informal process of social segregation by gender, class or ethnicity, mark space in qualitative ways. At the same time, the kinds of space define the people who frequent them. Diverse and competitive representations – what Filip de Boeck has called ‘the invisible city’ – gives meaning to places, cities and urban areas.

The hypothesis proposed was that it was this affective city and the issues of symbolism wrapped up in it that lay at the root of rise of citizen’s committees and their protests concerning the presence and activates of immigrants in the neighbourhood.

We must examine the city from the grass-roots perspective where we can grasp this emotion and affective nature as opposed to through the rational and planned perspective of the formalized institutions. It has been pointed out that official representations are static, and freezes social processes. The boundaries might make more convenient grasping the flow and mixing of people, information and goods, but it fails to address the ‘chronotopographic’ aspect of the city, the way the memory and representation treats space as ‘public’.

Verona
Citizens have complained about potential threat of crime, but evidence suggests that immigrants are more likely to be victims of crime and exploitation than its perpetrators. Yet, a cry for ‘security’ is uttered by citizens’ committee in common with the usual perceived threat of immigrants.

However, closer studies suggest the real problem is more to do with the observance or non observance of symbolic boundaries than crime. Immigrants especially men, socialize in the main street, particularly in the evening. The main-street and side streets currently are lined with shops that are commonly run by Nigerians, Moroccans, Sri Lankans and Chinese. Moreover, a small open market is open on several days of week. This predominant male use of public spaces turns Veronetta into a place where woman feel particular ill at ease – a town that historically described women sitting outside to chat with neighbors and craftsman working in the street where they met most of their customers. Furthermore, the roaring traffic inhibits this kind of use of the street anymore, and the neighbors are increasingly isolated.

The comment by Verona official on potential resolution has unfortunately relied only on neo-liberal force. They ultimately hoped for gentrification, with its property speculation and rising rent forcing immigrants out.

San Salvario and Porta Palazzo
There had been many complaints against ‘delinquents’ often identified with immigrants in Porta Palazzo. The neighborhood is dominated by a large square where the main open-air and covered markets are held. Immigrants have taken much of the heavy work in market and gradually opened their own stores. They often lived in dilapidated and overcrowded houses, rented at outrageous prices and various kinds of illicit activities (prostitution) happened.

San Salvario is a neighbourhood of solid mid-19th and early 20-th century building, sometimes run-down, and surrounding a popular open-air market. Immigrants, many illegal, comprise 20% of the 40,000 and are concentrated in relative few buildings and were actively resented by their Italian neighbours in the 1990s. Italian law also permits prohibition of certain kinds of behavior if they pose ‘public scandal’ The visibility of immigrants, and the fact their activities are seemingly shrouded in mystery carried in the street, have caused considerable concern that legal standard.

In 1995, a local parish priest claimed that the situation of the neighbourhood was explosive. The ensuing commotion enabled rapid decisive actions by the municipality in the two neighborhoods. Substantial funds were earmarked for physical refurbishment and both San Salvario and Porta Palazzo were transformed. Gardens were enclosed to discourage pushers and prostitutes, lighting was improved and parking patrols introduced. The most triumphant of changes include a permanent covered structure for the market. In Porta Palazzo, construction o fan underground through-pass siphoned traffic form market, conversion of the neighbourhood into an attractive pedestrian area with shops and cafes and building a Turkish Bath and an Intercultural Center.
Research indicates that perception surrounding these development in the realm of the ‘affective’ city has been important in amelioration of intercultural tension.

Using previous ‘crisp’ and ‘fuzzy’ spatial perception, following interpretation is advanced:
-Invasion of neighborhoods by traffic and supermarkets coincided with changes in work pattern and decline of small local business
-Dislocations of firms to countries where labour costs are lower, and the disruption of traditional social networks in the city results in fragmentation of society and identities such that established channels of public life (parishes, political parties, trade unions) lose relevance.
*Office set up to collect complains registered tension between Italian neighbors as vis-à-vis the immigrants of whom had become their scapegoats.
-The ex-industrial workers in Turin, many of whom felt that their previously assured future of their children by emigrating to the industrialized North faced the declining industrial sector of the city with bewilderment.
-They were filled with dismay at the predicament of immigrants who worked in dangerous, underpaid and polluting jobs and lived in crowded, insalubrious flats, being prey to mafia and solicitation.
-Thus, Italians saw their dreams of emancipation, democracy and social order shattered.
-The plight of immigrants threw back to the Italians who were immigrants themselves as the image of their neighborhood reminds them of frustration in social mobility and respectability.
-The result is a confusion between different kind of space where previously there exist once a sharp divide which protected familiar neighborhood near home with its work and social routine from the area given away to traffic and strangers.
-This confusion give rise to images of disorder, contamination and danger and the highly visible immigrants were the first to blame.

The measures of the municipal authorities restored ‘crispness’ to the distinction between kind of spaces, by providing perceptual props or ‘affordances’, moving the noise of traffic and promiscuity of markets away from quiet, previously familiar area. Controls on rent, sales licenses and prostitution emphasized the distinction between legal and illegal actives and reduced overcrowding.
Thus the familiar protective environment could be seen to include both Italians and immigrants.

In general terms, the measures taken in Turin redrew normative boundaries and restored order, as opposed to be a strategy of governing disorder. Turin thus present a strategy that is both touch, but at the same time invested great efforts in providing social rights for new comers and their children. They emphasize renovated notion of citizenship and intercultural mediation as opposed to distinction.

Conclusion:
Spaces must be recognized for its socially and symbolically structured value. Porta Palazzo is a place to meet, a ‘suq’ and for exchanging news, information and help and maintaining closeness’. It is there where rhythm of periodic meetings, exchange of help and information and guidance form religious leaders that create a shared symbolic place to where they can ‘belong’.

The process of religious and social mapping is called ‘reterritorialization’ because the networks of contacts structure the city and gives its meaning. To the extent that discrimination, disadvantage and lack of communication with Italian create social distance. Not surprisingly, African and Middle Eastern immigration to Turin revealed that those which include more Italians in their network are at a higher chance to job and housing stability.

At the administrative level, the emphasis not on ‘cultural difference’ but on citizenship, common humanity and possibility of intercultural mutual comprehension can allow development of daily relations of friendship and civic collaboration among different people. The former only encourage segregationist policies and inhibit development.

Attention to spatial perception offers a methodological aid to living together in difference. Spatial perception and practice are structure to certain extent by cultural categories, but also by he cognitive capacities, physiological and psychological needs common to all human beings. The recognition of these two dimensions may be a precondition for negotiation of norms for sharing common space and collaborative relationships. Local administration must assume responsibility for material intervention in situation of conflict. But measures must be taken with prior research and mediation carried out by experienced researchers to establish the real cause. These policies will typically encourage cultural inclusion and the respect of specificities of place.

Berlusconian Regime's stance

-Emphasis on tight management of flows
-Limtied scope of integration to legal migrants only
-Made procedures invovled in obtaining or renewing legal status even more bureaucratic and cumbersome.

"The left wants to throw open the doors to foreigners," Berlusconi said at a campaign rally for the March 28-29 elections. "It does not want immigration but an invasion of foreigners to change the voter base."

"The left's idea is of a multi-ethnic Italy," Berlusconi told a news conference. "That's not our idea, ours is to welcome only those who meet the conditions for political asylum."

2010/03/06

Immigration Policies

First comprehensive immigration law was introduced in 1986 covering the following issues:
-Regulation of entry of immigrants seeking employment
-Provided amnesty for undocumented immigrants who couold prove employment
*Approach assumed that immigration phenomenon was limited and transitior so contained no rules aimed at encouraging integration.

With emergence of political parties hostile towards immigrations and influence from European migration policies with their concern for the weak borders of southern European countries, new laws were passed.

‘Martelli Law’
-immigration began to be considered in long-term.
Law defined regarded:
-anuual planning of migratory flows,
-certain norms regarding rights and obligations of foreigners
-matters concerning work conditions as well as family reunification and social integration

Center-left government between 1997-1998 implement quota system on immigration flow based on triennial plans.
Workers could enter and stay in Italy under following conditions:
-seasonal employment
-if they had an offer in employmenet already
*Some measures aimed at immigration integration

Immigration policy landscape changed again in 2002 when center-right government took power -Law specifies that all ‘social integration measures’ are limited to legal immigrants
-Introduced a repressive policy towards undocumented immigrations through use of compulsory repatriation
permit cannot last work than work contract
-employers in Italy are obliged to advertise job opening for 20 days before allowing foreign workers

NEWEST DEVELOPMENT

Italy's immigration law, which gives the authorities the right to impose fines as large as €10,000 on illegal immigrants and to detain them for up to six months. It also allows unarmed citizen patrols to help police fight street crime.

A security bill awaiting final approval in the Italian parliament also contains several controversial provisions, including:
-procedures for medical staff to denounce illegal immigrants
-making illegal immigration a criminal offence punishable by a fine of 5,000-10,000 euros (£4,400-8,800)
-prison terms of up to four years for those who defy expulsion orders

What the Right-Wing propaganda neglected to say about the labour market

High percentages of immigrants have relatively high level of education and professional skills, yet take up unskilled jobs in Italy as these are the only ones available.

Among adult immigrants residents,
12.1% possess university degree
27.8% High School Diploma
2.5 % No prior schooling

*Very few immigrants obtained recognition of previous educational attainments by Italian authorities

Most immigrants between 20 to 40 years of age. They come to Italy for economic reasons.

Immigrants are employed in specific sectors characterized by tough working condition with strenuous physical effort, endurance, overtime and night shifts. These include:
Working in small manufacturing firms
Construction industry
Agriculture
Catering and domestic services

‘five-p jobs’: psanti, precari, pericolosi, poco pagati, penalizzati socialmente (heavy, precarious, dangerous, poorly paid, socially penalizing) also known as the ‘three-d jobs’: dirty, dangerous and demanding.

Immigrant women are typically employed in the informal economy as housekeepers or private carers.

On a positive note: ‘ethnic’ enterprises has also increased with 71,843 ethnic enterprises registered at the Chamber of Commerce in June 2004

Media 1

The Italian media has increasingly promoted negative portrayal of stereotyped images of immigrants. And following the emerging trend often criticized in a neo-liberalized and increasingly fiscally-conservative settings that commonly see large-scale corporatization of news media organization, decrease in government funding for public news institution and a general deterioration of journalism standard often characterized by the dangerous conflation of opinions and information, these news coverage on immigrants in Italy are primarily of a sensationalist and alarmist nature. News reports brazenly linked legal immigration and undocumented (clandestine) entry to Italy, thereby transforming all immigrants into ‘illegals’, ‘criminals’ or ‘threats’. The effect has been successful as opinion polls show upward trends that confirm such generalizations among the public.

Studies on mass media consistently show that news coverage of immigrants are focused on criminal episodes. The everyday aspects of integration and the sheer difficulty involved in going through this deliberately made cumbersome legal process does not appear in communications. Research carried out by Cotesta (1999) revealed that nearly half the articles dealing with the presence of immigrants in Italy concerned incidents of conflict and only one-third was devoted to some in-depth analysis of their living conditions.

Languages used in newspaper titles and articles are derogative in tone and include such terminologies as ‘Albanians’, ‘immigrant’, ‘arrested’, ‘public force’, ‘clandestine’, ‘extracomunitari’, ‘drugs’, ‘Moroccan, ‘refugee’, ‘stranieri’ (foreigners). They are selected to arouse and reinforce a pre-existing anti-immigrant sentiment. To further reiterate the perceived conflict to national identity, the ethnic, racial and national identity of groups or individuals involved are reffered to by the media whenever possible in arrests or accusations.

Italians has always demonstrated a weak sense of nation hood going as far back to the early unification efforts of the liberal regime in the 19th century. The early Italian nation was formed as an uneasy amalgamation of several earlier states (Italian and non-Italian) and its legitimacy has frequently been challenged even by internal forces such as the Roman Catholic Church. The lack of nationalism is further exasperated by disparate economic conditions across its geography with the north relatively more industrialized and the south more rural and poor. Thus the weakly institutionalized sense of nationhood can easily be manipulated in face of a resurgent national conservatism ideology with the news media presenting the immigrants as a threat to Italian ‘national identity’. As a matter of fact, the growing Muslim population re-signifies religion as an identity market for the collective national identity. The effect is an increasingly between cultural and religious differences in news coverage and in issues pertinent to religious and cultural rights where they become ambivalent at best. The media discourse asserts that diversity is a threat to social cohesion and national culture. It is one thing to tolerate immigration on a personal level, but on the societal level, they pose an insurmountable challenge.

A short primer to growing anti-immigrantion sentiments in Italy

Italians with their long emigration history have often considered, and been considered, by themselves and neighboring Europeans countries to be ‘immune’ from the institutionalized racism experienced our other countries. That might have been the case initially when the influx of non-European immigrants first began to pick up 2 decades ago. But this ‘social tolerance’ has quickly vanished in recent years in light of emerging far-right regionalist and conservative political parties such as the Lega Nord which has seen new explicit and virulent propaganda against the alleged threat of the immigrants. Similarly, Berlusconi - in his attempt to consolidate the already weak plurality he commands in the parliament (45.7%) - has further tightened the border in order to appease the growing far-right constituency of his coalition. Other background factors that have attributed to these growing anti-immigrant sentiments include:

1.) An average influx increase of 11.4% between 1996-2000.

2.) The country has suffered since the adoption of its early modern constitution in post-WW2 from the unclear and underdeveloped immigration and settlement policies with ineffective public administration dealing with the management of immigrant integrations

3.) The idea of immigrant as a ‘problem’ is easy to manufacture in the face of general social and economic insecurity and stagnation. Therefore, immigrants in Italy, like most other countries, became easy scapegoats on a variety of issues:

a. Security threat (Often in the form of poorly evidenced
association between criminality and immigrants-concentrated neighborhoods)

b. Threat to jobs (destabilization of labour market even though immigrants mostly take positions that the Italian labour force already eschew)

c. A threat to cultural and religious identity (a general unpleasant attitude towards non-European and non-Caucasian immigrants often reinforced by the Roman Catholic church by using ambiguous terminologies such as “cultural conflict” in lieu of outright racial or religious discrimination)

Videocracy

To liken Berlusconi's control of the media as identical to the propaganda machine of Hitler's fascist Germany would be overly hyperbolic and only render easy dismissal from skeptics. But that being said, it would be fair to say that he does have a hand in steering the direction of his stations quite similar to the effect of Ruper Murdoch in FOX. Both have quite brazenly stated their intentions to use the power of their influence over the media to realize their utopic vision of societies. But before I povide more precise elaboration on the Italian media's general xenophobic, homophobic and sexist bias, I thought I'd share this trailer I discovered on a documentary exploring Berlusconian media.

Videocracy is the power of the image over society.

The review says,

In Italy, for thirty odd years, the image has been controlled by one man. TV-magnate and Presidente Silvio Berlusconi has influenced the content of commercial television in a way never before done in Italy. His TV-channels, with their young skimpy-clad girls, are seen by many to mirror his own taste and personality.

In Videocracy, Italian-born director Erik Gandini portrays the consequences of a TV-experiment that Italians have been subjected to for 30 years. Gaining unique access to the most powerful media spheres, he unveils a remarkable story, born out of the scary reality of ”TV-Republic” Italy.


Raw Data on Immigration in Italy


2010/03/04

913 words over the limit.

2913 words in total so far, and the limit is 2000. Still extremely rough. Here's something Mark sent me, not sure if we can get it into the article:

2010/02/21

What we're listening to:

Since I'm dealing with some very esoteric concepts, I've decided to listen to some of Melvyn Bragg's podcasts to get an introduction to the topics. In Our Time is a great resource.

Architecture in the 20th Century
Architecture and Power
Time
Memory
Memory (2)

And two on Proust and Chaos theory, to which I can't find a link.

Abstract (accepted)

Our abstract was accepted by Conditions Magazine. Here it is below, although I've been reluctant to post it because, to be honest, I'm not that happy with it. I struggled to try and include how the article was to be constructed around a metaphor of time (history, memory, temporal flows, rhythms of the city) and how this informs collective identity, but was unable to do it.

Anyway, here's our abstract:
Global flows and Local identity:
the Contradiction of Collective Value


Beyond the idea of material or monetary value, the question of architecture engaging in a qualitative notion of value confronts a contemporary paradox. The modern notion of value as the ideals, customs and principles of the collective rejects the notion of an external or objective system. Value derives its meaning from its societal context, yet the contemporary city is defined more than ever by forces that lie beyond it. While it has always been the case that the city is a field of struggle between the those that control the city, those that use the city, and those that appropriate the city, today it is further stressed by transnational forces that contradict any conventional notions of collective society and collective values. The space of the city, the rhythms of its spatial forms, its voids, its typology, form, ornament and image that mediate the processes of the city comprise the identity of its collective. Urban space is more than just a receiver of societal values; it is a conduit that transmits them as well. It is clear then that architecture is a participant in this conflict, constructing collective spaces that exist in tension with the city’s collective values; the question is whether it is active or passive participant.

Through the account of my four month academic exchange in the city of Rome, from my travels through Italy to my arrest at the Sistine Chapel, I was exposed to the informal and formal transnational flows that define modern Italy, and the corresponding policing of urban space that followed. This text examines the relationship between the state-engineered values of the city and the global flows that threaten it and looks at architectural methods of reflecting legitimate cultural values of modern Rome.

There is a critical need to understand Rome beyond the image presented by the state, through new and existing research, photographs, mapping exercises, and architectural projects the text reveals this complex, and multi-polar urbanism that lies beyond its state representation.

2010/02/06

Finished Outline

I had to rewrite part three, but it's done. Now we just have to collect some data, and bang out that abstract. (Due February 12!)

Part 3. The Production of Added Value through Image Disruption

• Within a sociological interpretation of value, the production of added value engages the built environment in the construction of an image of the city, that looks beyond a quantitative notion of the city, towards a qualitative one
• Architecture interventions have an opportunity to disrupt the visual complicity of conventional urban processes by portraying “the complexities of urban reality and socio-cultural and economic characters of urbanised nations”
• creating in opposition what Stefano Boeri has called, ‘geopolitics of multiple identities’
• However the use of image is simply the most tangible manifestation of intangible qualities of the city, that is its collective : memory, identity and values
• The analysis of the city requires a semiological understanding of the city. As Lefebvre has written, one consumes signs as well as objects, and the city receives and emits messages, in multiple dimensions (115, Lefebvre). Typology, form and ornament constrain and define the social processes that occur within it, but beyond this they define the collective image and memory of the city and thus engage beyond physical space to the space of imagination
• The image is the sign, and thus belies more than the built environment expressed as spatial permanences, it is indicative of also the temporal processes of the city
• The rhythms of everyday life within the city is circumscribed within broader flows of economy, social relations mediated by built structures and institutions but transcend the scale of the city to regional, national and global scales and inter-urban connections.
• The city is in fact circumscribed within a broader ecologies both natural and artificial of temporal forces and thus exists as a spatio-temporal entity
• Image and reflections of the collective defined by complexity, multiplicity and elusiveness
• The postmodern city is defined in a word by difference, which would seem to inherently reject any notion of a collective identity, memory or value
• Beyond the simplified images crafted by the state, is it possible to create an image that can legitimately reflect and accommodate the global flows for new rhythms of urban life?
• while respecting old identity and fulfilling requirements of the assignments?

Part 4. Subversive Intervention


• This problem at the crossroads of culture and space can benefit from architectural thinking
• looking for ways in order to diffuse difference within patriarchal networks that intend to preserve the status quo
• Examples: Boeri’s Multiplicity, Markus Miessen’s safe injection sites at King’s Cross Station, and Koolhaas’s attempts to place homeless shelters in the Seattle Public Library
• This projects uses the redevelopment of Termini Train station to construct additional infrastructure that accommodates subversive global flows
• subverts state engineered idea of identity within neoliberal logic of marketizing public space

2010/02/04

What we're reading

Mark sent me this picture the other day.

Outline: Unfinished

I'm stuck. I'm debating what the actual architectural intervention will be. I'm not sure if my studio project is entirely appropriate. It's a fairly radical design trying to resolve the issues of the site, and thus a large part of it is irrelevant to the thesis I'm presenting here. Either that, or because it is an example of a project that was appropriated for the production of additional value, may in fact be the most relevant example.

Part 1. The identity crisis of the European historic city

• the identity of the contemporary historic city is in crisis
• the Post-Fordist restructuring of the economic sphere, and European Union integration has accelerated economic processes of commerce and exchange, instigating and escalating transnational flows of labour and capital
• these temporal and social processes unfettered by the free market environment of neoliberalism materialize at the level of the city in spatial permanences and social institutions
• in the face of failing industries and declining birth rates, global flows such as tourism and immigration are a necessity to the historic city, and yet these global flows disrupt the authenticity of the location and culture
• the conflict is as thus as such: The market has dictated an urban identity defined by difference, that is untenable to its state engineered identity
• the internal contradictions of this process cleave authenticity from the historic city, reducing urban development to the fabrication of an image and marginalization of elements that threaten this image, a process that does not reflect the true cultural and social identity of the contemporary historic city
• [Insert research about Asiatic and African migrant flow into the Mediterranean area, and Rome’s immigrations statistics]


Part 2. The paradigms of vision

• the relocation of manufacturing sectors in the 1970s from, developed to developing regions have shifted the Keynesian-Fordist economy in the transformative powers of state planning to a Post-Fordist economy based on the fluidity of market processes
• therefore there has been a global shift in ownership models from public and private in the Post-Fordist era, or the era of neoliberalism
• this current era of neoliberalism relies on the combined acceleration of production and consumption in order to maintain economic equilibrium
• accelerated consumption is manufactured through a parallel image market in order to match accelerated production
• imagery and commodity fetishism has thus penetrated the societal psyche to such an extent that as Debord observes: capital accumulates to image, and image mediate relations, roles and values between people
• thus giving rise to what is variously called: media society, the society of spectacle, consumer society, the bureaucratic society of controlled consumption, or postindustrial society
• contemporary geopolitics, based on relations between countries and markets, is waged through large-scale complicity fabricated by these paradigms of vision
• the collective image is thus manipulated by the state to inform collective opinions, collective identities, with the prime tool often being the major media: the most egregious example of which is Berlusconi`s manipulation of Italy`s media sector and public space
• (Insert research about Italy`s Grandi Stazioni project in 2003, that shifted stations from public to private ownership models, hopefully other information to other spaces)
• The minaret ban in Switzerland, the veil ban in France, and the policing of public space in Italy are symptoms of this conflict between state-engineered images versus the urbanism of difference created by free market forces
• architects and architecture is complicit in this visual fabrication
• the commodification of architecture has lead to the gradual irrelevance of the profession, reducing architects to enablers of larger power structures
• In this way architecture like graffiti or pornography, `bears an obscenity...the architectural drawing can support specific meanings that the everyday experience of the actual building prevents...`( Tschumi, 12)
• Urban public space are charged spaces that are engineered to fabricate an image and identity of the city
• architectural interventions in this highly regulated, market-oriented realm has usually been limited to inserting state-friendly spectacle that fuels urban inequality and inauthenticity
• Example: Termini Train station, Trastevere, Vatican, Navona



Part 3. The Production of Added Value through Image Disruption

• Urban public space are charged spaces that are engineered to fabricate an image and identity of the city
• architectural interventions in this highly regulated, market-oriented realm has usually been limited to inserting state-friendly spectacle that fuels urban inequality and inauthenticity
• How can architecture go beyond fulfilling requirements of project to create built environments that can address legitimate social and cultural identity of the city.
• architecture interventions have an opportunity to disrupt the visual complicity of conventional urban processes by portraying “the complexities of urban reality and socio-cultural and economic characters of urbanised nations”
• creating in opposition what Stefano Boeri has called, ‘geopolitics of multiple identities’
• Architecture deals with image of city, and thus exists in tension with memory, identity and opinion of the city

Part 4. Termini Train Station Intervnetion

• ???